Level of the film is divided into three layers: David was abandoned before - David, after being abandoned - the last day of David and Monica. Then each layer of cis-very natural. From the content point of view, the first layer, Monica, unable to bear the grief of losing her son to start a David; second floor, David dedication to the hope of finding the Blue Fairy, can themselves into real people, in exchange for Monica card love; third layer, centuries later, in the new human beings with the help of David and Monica finally together. The level of the story clear, easy to control the audience's emotions, happiness - sadness - fear - moved. From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
Even the clips, but also with the emotional. And this sentiment if they can match the mood with the story, it would rely on editors and the director of the superb level and in line with the tacit understanding. When Monica and David is still in the adaptation period has not yet started the program he loved when Monica is suspected, and strange in her heart there is a conflict and a desire for a strong hitting, struggling with . She could not face the son of the pro-health is deteriorating, unable to face the loss of his son's loneliness, but they can not accept the feeling that there is no blood perfusion is not meat machines who, even though this machine is so lifelike. Cope with this strange atmosphere, shot through the glass doors, picture distortion distorted, people's faces have become a terrorist, not natural, Monica at this time to express the fear of the hearts of the machine. There are tea and coffee making, the equipment part of the sound of the heavier collision, David surprised eyes of the close-up, Monica awkward laugh, so pulled the stairs the lens to a rare point of view, highlighting the action Monica know what to do back in the past . In the bed, when a total of only three lenses, the first two were in the two separate close-up, it is interesting that the lens, the characters apart from the changes in eyes without any movements. The third movement of the lens with Monica movement depicts the emergence of David, mobilized. The whole tone appropriately large segment of massive non-dialogue to monotonous, repetitive background music and characters Burton pauses only action, a special camera angles to set off the atmosphere. During both the accumulation montage of each episode, another taste of parallel montage, a part of the emotional charge of each part.
Movies frighten people coming from? Well-known director Sergey. Eisenstein said: "The lens is definitely not an integral element of montage. Lens is just a cell Montage. As the cell population after the division will have a different phenomenon, but from a dialectical jump shot Another lens only montage. but what Montage as its feature before? It is characterized by conflict between two opposite segments of the conflict. "The contrast is emphasized that the conflict is not montage do? In the pool, when David seek to protect themselves, and it gets to when Martin dragged into the water, also entered an underwater camera to record what happened underwater and from the shore to see the underwater scenes, alternating switch, a total of five replacement, 10 a lens, of which four shots using forward-style shooting, and gradually enlarge David's face and Martin's feet. In contrast to the strong contrast between the background of human selfishness. Shore people's anxiety was distorted surface. Finally a camera, filming back-style swimming pool, only to leave David alone, submerged in water, and pool crowd had left, only with the teddy bear while waiting for the machine. Contrast this montage would be callous of human-to-machine with the portrayal of naked human beings out of the maintenance, it does not mean that people are protected to the same place, but lamented why human beings need the time machine, they can wanton reckless use of without the need for the latter, they no longer cared for it? In comparison of human joy and a new war between machines Yanjiu, yet selfish and could not change the requirements to create a robot, or even try to love the procedure carved into the machine's hard disk so that it may pay everlasting love. Perhaps it is just human nature, right Ye Hao, wrong, what we are all powerless to change. Since they can not change, at least to express, by comparing the montage to clearly demonstrated.
The same comparison montage also appeared in the machine slaughterhouse, even if faced with the imminent death of used machines will produce fear, will beg for mercy, will have to turn off the pain sensors, while the audience crazy audience, but cheered, it not Le Call. Different robots have been hanged, burned at the stake, crowd favorite, a series of parallel montage, the interpretation of the war between humans and machines
Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings oThe film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
Question added: don't turn hand machine! I won't stingy. Points
Level of the film is divided into three layers: David was abandoned before - David, after being abandoned - the last day of David and Monica. Then each layer of cis-very natural. From the content point of view, the first layer, Monica, unable to bear the grief of losing her son to start a David; second floor, David dedication to the hope of finding the Blue Fairy, can themselves into real people, in exchange for Monica card love; third layer, centuries later, in the new human beings with the help of David and Monica finally together. The level of the story clear, easy to control the audience's emotions, happiness - sadness - fear - moved. From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
Even the clips, but also with the emotional. And this sentiment if they can match the mood with the story, it would rely on editors and the director of the superb level and in line with the tacit understanding. When Monica and David is still in the adaptation period has not yet started the program he loved when Monica is suspected, and strange in her heart there is a conflict and a desire for a strong hitting, struggling with . She could not face the son of the pro-health is deteriorating, unable to face the loss of his son's loneliness, but they can not accept the feeling that there is no blood perfusion is not meat machines who, even though this machine is so lifelike. Cope with this strange atmosphere, shot through the glass doors, picture distortion distorted, people's faces have become a terrorist, not natural, Monica at this time to express the fear of the hearts of the machine. There are tea and coffee making, the equipment part of the sound of the heavier collision, David surprised eyes of the close-up, Monica awkward laugh, so pulled the stairs the lens to a rare point of view, highlighting the action Monica know what to do back in the past . In the bed, when a total of only three lenses, the first two were in the two separate close-up, it is interesting that the lens, the characters apart from the changes in eyes without any movements. The third movement of the lens with Monica movement depicts the emergence of David, mobilized. The whole tone appropriately large segment of massive non-dialogue to monotonous, repetitive background music and characters Burton pauses only action, a special camera angles to set off the atmosphere. During both the accumulation montage of each episode, another taste of parallel montage, a part of the emotional charge of each part.
Movies frighten people coming from? Well-known director Sergey. Eisenstein said: "The lens is definitely not an integral element of montage. Lens is just a cell Montage. As the cell population after the division will have a different phenomenon, but from a dialectical jump shot Another lens only montage. but what Montage as its feature before? It is characterized by conflict between two opposite segments of the conflict. "The contrast is emphasized that the conflict is not montage do? In the pool, when David seek to protect themselves, and it gets to when Martin dragged into the water, also entered an underwater camera to record what happened underwater and from the shore to see the underwater scenes, alternating switch, a total of five replacement, 10 a lens, of which four shots using forward-style shooting, and gradually enlarge David's face and Martin's feet. In contrast to the strong contrast between the background of human selfishness. Shore people's anxiety was distorted surface. Finally a camera, filming back-style swimming pool, only to leave David alone, submerged in water, and pool crowd had left, only with the teddy bear while waiting for the machine. Contrast this montage would be callous of human-to-machine with the portrayal of naked human beings out of the maintenance, it does not mean that people are protected to the same place, but lamented why human beings need the time machine, they can wanton reckless use of without the need for the latter, they no longer cared for it? In comparison of human joy and a new war between machines Yanjiu, yet selfish and could not change the requirements to create a robot, or even try to love the procedure carved into the machine's hard disk so that it may pay everlasting love. Perhaps it is just human nature, right Ye Hao, wrong, what we are all powerless to change. Since they can not change, at least to express, by comparing the montage to clearly demonstrated.
The same comparison montage also appeared in the machine slaughterhouse, even if faced with the imminent death of used machines will produce fear, will beg for mercy, will have to turn off the pain sensors, while the audience crazy audience, but cheered, it not Le Call. Different robots have been hanged, burned at the stake, crowd favorite, a series of parallel montage, the interpretation of the war between humans and machines
Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings of machines without meat, though the machine was so lifelike. With this kind of peculiar atmosphere, lens through glass door, screen distorted, people's face, not natural, terrorism in order to express monica heart fear of machine. And when the coffee, instruments, part of the collision of voice surprised eyes a close-up of David, monica awkward smile, lens, then the stairs with rare Angle, monica. Back past bewildered In the bed, with a total of three lens, the former two to two separate is features, interestingly, lens, characters, but look no body movement. The third lens with monica mobile and mobile, depicting the illusive, David. The whole period, the large section of the proper tone without dialogue, in the background music and repetitive characters of action, pause at the special camera Angle to foil atmosphere. This section has accumulated in each plot, and parallel montage of every part, the montage taste for part of the mood.
The film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
Films are mainly divided into three levels: David, David before being abandoned after being abandoned, David and monica's final day. Each layer and the nature. Look from content, the first layer, monica because of grief, can lose launched David, Second, David rigid hope to find the blue fairy, will become reality, monica love. Third, in the new millennium, under the help of the human, David finally and monica together. The story, the bright easily control the audience's mood, happiness, sadness, and that touched. From the Angle of view, from the first layer, Angle limitation in the home, Second, human and machine is extended to the social contradictions, Third, from a thousand years later, overlooking the Angle at last. The director will concise but complete narrative close suture, guarantees the twisty, in a "rolling snowball" fashion way by the collective individual stories, conflict, and successful yourselves from create emotional YiZhangYiChi, peaks and valleys.
Even clips, is also a mood. But the mood with stories of emotions can if consistent, it depends on the editor and director of the excellent level and connivance. When the monica and David are still settling, still have not started his love of the program, monica is suspected, strange, deep in her heart has a strong impact to the conflict and the struggle. She couldn't confront kiss the son has not face, body, but lost son alone will not accept no blood perfusion to feelings oThe film's stunned by? Sergey's famed director. Love Stamford said: "absolutely not montage of a camera lens only montage composed element. A cell. As cells division will produce another kind of phenomenon, just like a lens to jump from the differentiation is another shot. But what montage montage as it? It's characteristic is the characteristic of conflict, two opposite fragments of conflict. But isn't it emphasizes the comparative montage conflict? In the swimming pool, when David for the self-preservation, joint into the water, Martin lens also follow into the water, underwater happen and record from underwater to shore, alternately, total 5, 10 shots, including four lens adopts advance type, David's face and gradually amplification of Martin's feet. The strong contrast and comparison of human selfishness foil. The expression on the water by people anxious distortion. Finally, a swimming pool, backward type shooting left alone in the bottom, David all gone, only the pond with machine teddy bear for waiting. The contrast of machine, human montage of cold and the maintenance of human beings, the characterization of naked people not to say, but not similar to protect human in need machines exclamation why when, can use wantonly reckless, without the need for, whether ask? And the relative human war between machine and new old, but also selfish anaerobic demands of the robot will produce change, even tried to love the program to carve the disk to machine the pay everlasting love. Perhaps this is the person's nature, rightly or wrongly, we are unable to change. If unable to change, at least, by comparing the montage.
The same comparative montage also appeared in the machine, even in old abattoir facing imminent death machine, also can produce fear, pain, kill off will beg for mercy, and below the madness of sensors, but the audience, not as well joy triumph. Different robots hanged, stake, chopped, a series of parallel montage and interpretation of the war between human and machine
Question added: don't turn hand machine! I won't stingy. Points
Film level divided mainly into three layers ：David has been abandoned before, david was jilted. From the content, the first floor,
Monica for not lose their grief,Started david ；The second floor, david dedication to find Blue fairy,Her into a reality,For monica love ；The third floor, a thousand years later,David finally and monica together.Story, the level of controlthe crowd,Happiness - sadness - fear - moved.From the point of view, from small to big, the first layer, viewing angle limitations of the home; the second tier, then extended to the social contradictions between man and machine; third floor, overlooking the past from the perspective of a thousand years later, to look at the story. Directors will be a concise but complete narrative of the suture close the meantime, the great accuracy not only guarantee a "snowball" approach to the story from the individual to the collective promotion, from small to large accumulation of the conflict, but also successfully to create an emotional one relaxation, ups and downs.
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